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  • Appreciation and History of Music MUS223

Appreciation and History of Music MUS223

Word Definition Baroque 1600-1750s Time in history where a king had absolute power by reason of divine right A war of words over what was more important: music or text. Second practice; text-driven Musical moods could and should be used to influence the emotions or affections of listeners "To sing alone"; solo madrigals, arias, and recitatives Bass line that provided a "continuous bass" Large lute-like instrument with a full octave of additional bass strings descending Numerical shorthand placed with the bass line that tells player which unwritten notes to fill in above the written bass line Age of Absolutism Artusi-Monteverdi Controversy Seconda practica : Doctrine of Affections : Monody Basso continuo . Therobo Figured bass A dramatic work or play set to music; ex. Text that conveys story of an opera A group that discussed the literature, science, and arts of the day Vocal expression somewhere between song and speech The tale of Orpheus, the son of Apollo The New Music by Giulio Caccini; anthology of solo madrigals and solo strophic songs Instrumental piece for keyboard or other instruments; requires great dexterity Musically heightened speech Recitative when accompanied only by basso continuo Manner of singing halfway between recitative and a full- blown aria More florid, expansive and melodious than a recitative An aria in which the same melodic and harmonic plan appears with slight variation Opera : Libretto Florentine Camerata Stile Rappresentativo Orpheus Legend Le Nuove Musiche Toccata Recitative Simple recitative A uniquely structured building that prompted the Arioso style creation of cori spezzati; building where Evangelist Aria Mark's remains are allegedly buried Strophic Variation Aria "Broken choirs"; compositions created for up to four choirs performed in different areas of the Basilica of St. Basilica of St. Mark Mark Cori spezzati Italian for concerted style; a term broadly used to identify Baroque music marked by grand scale and Stile concertato strong contrast, either between voices and instruments, between separate instrumental ensembles, between Concerted motet Concerted madrigal separate choral groups, or even between soloist and choir Stile concitato A motet in concertato style with strong contrasts in Cantata textures and timbres involving voices and instruments Chamber cantata A madrigal in concertato style with strong contrasts in Basso ostinato textures and timbres involving voices and instruments An agitated style particularly suited to warlike music; Ciaccona (Chaconne) Claudio Monteverdi used this term for a new style of Passacaglia music he created that was more direct and insistent than previous martial music Lament bass The primary genre of vocal chamber music in the Kapellmeister Thirty Years' War which was "sounded" on an instrument; it consisted of several movements which included one or more arias Counter-Reformation and recitatives Jesuits A cantata performed before a select audience in a Cappella Pontificia Sistina private residence; intimate vocal chamber music A bass line that insistently repeats note for note Stile antico Tenebrae Service Originally a separate and distinct bass melody; during the seventeenth century the term started meaning any Falsobordone Colossal Baroque repeating bass pattern of short